101 blues guitar turnaround licks pdf to jpg

The information provided herein is stated to be truthful and consistent, in that any liability, in terms of inattention or otherwise, by any usage or abuse of any policies, processes, or directions contained within is the solitary and utter responsibility of the recipient reader. Recording of this publication is strictly prohibited and any storage of this document is not allowed unless with written permission from the publisher. In no way is it legal to reproduce, duplicate, or transmit any part of this document in either electronic means or in printed format. From a Declaration of Principles which was accepted and approved equally by a committee of the American Bar Association and a Committee of Publishers and Associations. If advice is necessary, legal or professional, a practiced individual in the profession should be ordered. The publication is sold with the idea that the publisher is not required to render accounting, officially permitted, or otherwise, qualified services. This document is geared towards providing exact and reliable information in regards to the topic and issue covered. The 16th notes combine some quick bends with some added legato.Blues Guitar 101: The Lead Player’s Guide to Improvisation, Fretboard Mastery, and Rocking Solos Dan AmersonĬopyright 2016 by Dan Amerson - All Rights Reserved. You are hitting two beats of 8th note triplets followed by two beats of fast 16th notes. I recommend playing this one with a metronome and trying to 'feel' where the groove is. Play this lick with plenty of groove and keep it loose. As these notes fall outside the expected notes for this style, it's worth mentioning that you shouldn't hang on them too long. These notes can both add tension and create a sense of complexity.

The 7th fret is also a note outside the scale,the two note in the Major scale.

This then moves into the second which starts with a muted string hit followed by a pull off from the 7th to 5th fret of the E. The first bar starts in the second minor pentatonic shape with a slide and a string skip followed by the addition of a note outside of the scale, the b4 (The 9th fret on the E string).

You’ll notice the first two beats are made up of 8th note triplets (three notes per beat). In this lick we're moving off the beaten track a little and adding a slightly syncopated, funky feel to the first part of the lick.

101 blues guitar turnaround licks pdf to jpg